![]() ![]() 200% Authentic and Totally Original ![]() ![]() ![]() Authentic. Original. In the world of vintage and historic racing these two words ![]() constitute the foundation for the sport's bible; or, perhaps, more accurately the ![]() bible for those who see fortunes to be made in the sale of old, obsolete ![]() competition vehicles. ![]() ![]() Never raced though tried repeatedly… ![]() In times past, an obsolete racer was an unwanted orphan, not something to be ![]() revered. Indeed, most were stripped of useful components, and left to rust, or rot ![]() away out back in a field somewhere, their lives over. For those collectors who ![]() have written the checks to what they view as works of art, this attitude approaches ![]() heresy. Yet, given the fact that for race car builders and manufacturers these cars ![]() were tools, it is quite understandable, and reasonable. ![]() ![]() All in the Family… ![]() Dr. Ferry Porsche, who founded with his sisters Louise, the firm that today is ![]() considered the most important independent sports car maker on the planet, was ![]() once asked what his favorite Porsche of all time was. His reply was equally ![]() simple: "The one not yet built." The fact of the matter is that famous companies ![]() such as Porsche and Ferrari were forced to concentrate on the present and look ![]() towards the future because to do otherwise would spell financial disaster for ![]() these firms whose bank accounts were less prestigious than their reputations. ![]() ![]() Only when the collectors started coming around with checks in hand for what ![]() looked at as useless relics, did the car manufacturers pay attention, Even so, ![]() most factories cared little about what they were selling other than it produced a ![]() negotiable bank instrument that improved their balance numbers. Sure, they ![]() made certain what they were selling was what they said it was. Sure, they took ![]() plains to note the car's history and condition. But, there was no passion on their ![]() part, no sense of loss that a piece of themselves was walking out the door. ![]() ![]() This may or may not be that chassis number but it is the car… ![]() Even today Porsche's museum tends to be casual; about what cars they really ![]() have. For example, Porsche sent over to the recent Rennsport Reunion at ![]() Daytona a 1973 Carrera RSR that they labeled as that year's Targa Florio winner. ![]() The trouble was that the factory car, even in its authentic Martini paint scheme, ![]() was not the real Targa winner. That car continued to be developed by Singer & Co. ![]() for the rest of the 1973 season and was also in attendance at Rennsport but in ![]() the later season look. ![]() ![]() Perhaps even more embarrassing was the fact that the real factory winner was on ![]() hand at Daytona, now owned, and correctly restored by its private owner. Want ![]() more? Also on hand at Daytona, similarly restored in its authentic 1970 Salburg ![]() paint scheme was 917-023, the car in which Dickie Attwood and Hans Hermann ![]() gave Porsche its first overall victory at Le Mans. Of course the factory also has a ![]() similar looking 917. The trouble with it is the fact that in reality it is 917-001 - the ![]() Geneva show vehicle with no actual competition record to its credit. ![]() ![]() There are other similar cars in and around the Porsche collection, but you get the ![]() message. Now, Ferrari, which hitherto was happy to let owners of its older racers ![]() fight among themselves about how credible their automotive toys might or might ![]() not be, is starting its own program to " provide a stamp of approval guaranteeing ![]() originality for the population of vintage and historic competition Ferraris. And, oh ![]() yes can you pay the fee for this service please in Euros? ![]() ![]() Altered States ![]() Have we gone nuts. Have we forgotten the simple truth that by driving one of these ![]() vehicles from the past that we can experience in real time what most of us were ![]() too young, or too poor to experience when they were new, and let it go at that, Carl ![]() Thompson, a former top aide to the late Vasek Polak, and more recently a key ![]() player in the vintage scene, took a spare 917 chassis and body, mated them with ![]() the correct mechanicals, and created for himself a brand new example of the ![]() awesome 12-cylinder racing coupe. Thompson makes no pretenses about its ![]() linage. Rather he simply beams when he talks about the fact that he and others ![]() can now drive a piece of history, and see how the early folks lived. ![]() ![]() The thrill of nearly 600 horsepower in a lightweight tubeframe, "flexible flyer" ![]() sports racer with less than perfect brakes and only slight better handling might ![]() not be all that pleasant, but it is all that memorable. So, who is to say that ![]() Thompson's 917 is not just as good a toy as its much older brethren - who, by the ![]() why, often come with new frames, new bodies and other newly minted parts to ![]() make the "safe" for their drivers ![]() ![]() Let's stop thinking in terms of art, and more in terms of the tools these vehicles ![]() were always intended to be. The summer vintage season is now with us, let's put ![]() away the checkbooks and the egos, and enjoy what we've got because our time is ![]() short, and the cars will outlast us. ![]() |
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